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	<pubDate>Mon, 06 Jan 2025 21:48:53 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
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		<pubDate>Sat, 04 Dec 2021 11:35:32 +0000</pubDate>

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The milpa is a common agricultural technique in Abya Yala, today known as Mesoamerica, with origins&#38;nbsp;in&#38;nbsp;pre-Hispanic times.&#38;nbsp;It is primarily based on collaboration, diversity, small-scale practices, regeneration, and the entanglement of various creatures, plants, and human communities. It represents sustainability by providing food and multiple annual harvests without degrading the soil's trophic network. Unlike plantation and exploitative monoculture systems, the milpa is characterized by openness and emergence. It operates as a small-scale, family-driven agricultural model that fosters networks. On a small plot of land, various crops grow together, creating space for multiple species by inventing&#38;nbsp;forms of collaboration, cooperation, and mutual support, accommodating the available resources within a shared common space.

The paradigmatic example of collaboration within the milpa is seen in the "Three Sisters": beans, maize, and squash. Beans and maize establish a reciprocal support relationship that ensures their survival. The maize sprouts and grows first, providing a vertical structure for the beans, the younger sister, to find its way by wrapping around the corn sister, forming a double helix along its stem in a circumnutation process. The gift of the beans is enriching the soil by fixing nitrogen; this happens underground as a second layer of collaboration and reciprocity between Rhizobium bacteria and the beans. The former need to find refuge in an environment free of oxygen, beans will grow nodules attached to their roots able to host and provide Rhizobium bacteria with the necessary conditions. Squash, the youngest of the sisters will grow after, and the newcomer sister will help the older sister retain soil moisture. The "Three Sisters" grow together, sharing the soil as they share the light, leaving enough for others to thrive. "It is tempting that these three are deliberate in working together, and perhaps they are. But the beauty of the partnership is that each plant does what it does to increase its growth. But as it happens, when the individuals flourish, so does the whole".1The milpa is not limited to the three sisters; its openness accommodates other species, such as tomatoes, peppers, weeds, herbs, fruit trees, fungi, bacteria, insects, and animals, weaving a network of interdependencies where&#38;nbsp;also&#38;nbsp;the farmer is included. In the milpa, one thing connects with many others, forming a dynamic tapestry of relations, where one is with/on/for/by/from/toward another. The "Three Sisters" teaches us that each one comes with a potential or gift to offer others,&#38;nbsp;and&#38;nbsp;which also holds the potential to create forms of support and exchange with another. When one thrives, it helps the other, and in this way, they thrive better together.

A vivid image of solidarity appears as the beans entwine and nearly embrace the maize—a moment of giving and receiving, of&#38;nbsp;reciprocity, disappropiation2, porosity, vulnerability, and collaboration. Together, they find ways to survive and sustain each other. The milpa, as an ecosystem, represents a set of different positions and prepositional forms that create a decentralized network. The farmer is not necessarily a central figure but is instead part of a network of relations and interdependencies. The farmer is just another part of a tapestry of human and non-human interrelations, where one thing is never isolated, and never stands alone. The word milpa comes to us from Nahuatl, meaning crop on top of crops, allowing us to think about how different crops grow entangled and perhaps also how the milpa undergoes periods of decay and regeneration of the soil through composting. A set of driving principles characterize and enable the milpa to become a resilient and sustainable system. These principles include collaboration, diversity, regeneration, scale, and interdependence.

In this sense, the milpa stands as a counter-image to plantation and monoculture, both deeply rooted in the histories of capitalism and colonization. The plantation as a design enables a single species to thrive, it reflects and denotes homogeneity and transparency; an expression of a One-world worldview (Escobar, 2017) imposed as the sole valid and absolute Truth. Universalism, as a centrifugal and epistemological canon, creates separations, an abyssal gap (Sousa Santos, 2018) establishing itself as isolated, ubiquitous, and without exteriority. This rejects multiplicity, ambiguity, and opacity (Glissant, 1997), fostering an operational design that homogenizes everything. It not only threatens biodiversity but also leads to the destruction of ecosystems and the disappearance of possible worlds (Escobar, 2020). Achille Mbembe refers to these historical colonial processes, in conjunction with the technological and industrial sphere, as brutalism: "a contemporary process whereby power, as a geomorphic force, constitutes itself, expresses itself, reconfigures, acts, and reproduces through fractures, fissures, perforations, extraction, and depletion"3. 

It is perhaps in the image of the milpa where we can find a counter-point based on collaboration and creating bridges between different epistemologies, disciplines, and ways of knowing, ecologies of knowledge (Sousa Santos, 2018). If we consider the milpa as a metaphor and a method applied to the design, could the act of enacting, imitating, or translating the milpa lead us to imagine and speculate on (more) collaborative and sustainable designs within the context of cultural and educational infrastructures? Both art and education play a crucial role in fostering imagination, inventing forms of community, and creating alternative epistemological landscapes.

The etymology of the word agriculture comes from the Latin root colere, which means to work, honor, care, and inhabit the land, giving rise to terms like cultivate, culture, and colonist. From a general perspective, it carries an instrumental character. As Vilém Flusser notes in "The Gesture of Planting"4, the central figure of the farmer uses and enjoys a plot of land that might otherwise be a forest or jungle. Planting implies domestication, anticipating and controlling a predictable outcome, unlike hunting or fishing, where results are far more uncertain. The milpa, as an agricultural technique, stands somewhere in the middle,&#38;nbsp;holds&#38;nbsp;a certain level of domestication between the "Three sisters" yet&#38;nbsp;allows&#38;nbsp;a diversity of species to develop multiple interrelations.&#38;nbsp;The milpa belongs to a pre-industrial past. It reminds us of forms of relationship and survival.&#38;nbsp;Where one&#38;nbsp;can find its potential by offering it as a gift to others. Perhaps&#38;nbsp;it allows us to start rethinking notions of use and ownership, encouraging&#38;nbsp;networks of solidarity. 
1 Kimmerer, Robin (2013). Braiding Sweetgrass: indigenous wisdom, scientific knowledge and the teaching of plants. Minnesota: Milkweed Editions, p.134.2 Mbembe, A. (2021, October). The Earthly Community. E-flux Architecture. https://www.e-flux.com/architecture/coloniality-infrastructure/410015/the-earthly-community/
3 Mbembe, Achille (2022). The Earthly Community: reflections of the last utopia. Rotterdam: V2_Publishing, p.32.

4 Flusser, Villem (2014). Gestures. Minneapolis: University of Minnesota Press, p. 98



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Mexican milpa. Photo by Iván Juárez




	
	

	
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		<title>Camp 1</title>
				
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MAKING MILPA &#38;nbsp;Graphic parties
	






	„Graphic party” is a series of workshops that explores printmaking with a collaborative and playful approach. Its method and prints keep expanding and changing with each new iteration and venue.



	#02. Gudskul Ekosystem. In collaboration with Grafis Huru Hara. Jakarta, Indonesia. Reusing Grafis Huru Hara’s printmaking archive. Mapping Jakarta city using soil chromatography. 2022.




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	Mapping Jakarta city using soil chromatography. 2022.

	

	
#01. Mutant Letterpress. Wroclaw, Poland. 2020.
Commissioned and published in Za*zin: Foreign artists working in Poland, a publication edited by Za Group and Krytyka Polityczna. In collaboration with Mutant Letterpress,.

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	Walking and talking through unaccostumed routes in the city.&#38;nbsp;


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	Mapping and listening inside a vegetable market.

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c3e2f7cd26fb494804f3b446fa85b805416efefcf66a8bb6da42f1c7d56f9495/6.jpg" data-mid="126468737" border="0"  src="https://freight.cargo.site/w/1000/i/c3e2f7cd26fb494804f3b446fa85b805416efefcf66a8bb6da42f1c7d56f9495/6.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/920984106aa66276d2e2e060d37db1f1df39f24e27f9dc95cca2f820b74cdf1a/5.jpg" data-mid="126468736" border="0"  src="https://freight.cargo.site/w/1000/i/920984106aa66276d2e2e060d37db1f1df39f24e27f9dc95cca2f820b74cdf1a/5.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d7919d956ed2cb2509ef290a69c64ed92ce285865d9dd266219753537d07437a/7.jpg" data-mid="126468738" border="0"  src="https://freight.cargo.site/w/1000/i/d7919d956ed2cb2509ef290a69c64ed92ce285865d9dd266219753537d07437a/7.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/111c9268b7f1e923a7860c5591d42a89b87e90dac26de1f4e5bf4850e1f5a73f/8.jpg" data-mid="126468739" border="0"  src="https://freight.cargo.site/w/1000/i/111c9268b7f1e923a7860c5591d42a89b87e90dac26de1f4e5bf4850e1f5a73f/8.jpg" /&#62;

	Drawing and haptics on top of the prints from SPAM.


	
&#60;img width="1600" height="1069" width_o="1600" height_o="1069" data-src="https://freight.cargo.site/t/original/i/57b72c0743a3a27358388c44def1fe8dde6de08dbe2ba6e208f50ee7ccac04c1/22_P1750959.JPG" data-mid="126468754" border="0"  src="https://freight.cargo.site/w/1000/i/57b72c0743a3a27358388c44def1fe8dde6de08dbe2ba6e208f50ee7ccac04c1/22_P1750959.JPG" /&#62;
&#60;img width="1600" height="1069" width_o="1600" height_o="1069" data-src="https://freight.cargo.site/t/original/i/ad3bb92e757840d09eebe4768cde38fc057362f88366afceab1287686647e831/15_P1750901.JPG" data-mid="126468750" border="0"  src="https://freight.cargo.site/w/1000/i/ad3bb92e757840d09eebe4768cde38fc057362f88366afceab1287686647e831/15_P1750901.JPG" /&#62;
&#60;img width="1600" height="1069" width_o="1600" height_o="1069" data-src="https://freight.cargo.site/t/original/i/25d995a4da0aaeae890f0da6f1aa1720cb854a6d2d2bb6f401d5d7a7e4508e7d/32_1750982.JPG" data-mid="126468755" border="0"  src="https://freight.cargo.site/w/1000/i/25d995a4da0aaeae890f0da6f1aa1720cb854a6d2d2bb6f401d5d7a7e4508e7d/32_1750982.JPG" /&#62;
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&#60;img width="1069" height="1600" width_o="1069" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6f8c59a1f8615aaaa50333ed1eee0a78acc3b6e1a3afeb4ae268b612a03734b6/36_P1750997.jpg" data-mid="126468752" border="0"  src="https://freight.cargo.site/w/1000/i/6f8c59a1f8615aaaa50333ed1eee0a78acc3b6e1a3afeb4ae268b612a03734b6/36_P1750997.jpg" /&#62;
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&#60;img width="1600" height="1069" width_o="1600" height_o="1069" data-src="https://freight.cargo.site/t/original/i/57b72c0743a3a27358388c44def1fe8dde6de08dbe2ba6e208f50ee7ccac04c1/22_P1750959.JPG" data-mid="126468754" border="0"  src="https://freight.cargo.site/w/1000/i/57b72c0743a3a27358388c44def1fe8dde6de08dbe2ba6e208f50ee7ccac04c1/22_P1750959.JPG" /&#62;
&#60;img width="1600" height="1069" width_o="1600" height_o="1069" data-src="https://freight.cargo.site/t/original/i/721eacbdb8d03de22afb2bb1366ff8a21790f7ac5ff8de380a09f269b865e25a/34_1750991.JPG" data-mid="126468757" border="0"  src="https://freight.cargo.site/w/1000/i/721eacbdb8d03de22afb2bb1366ff8a21790f7ac5ff8de380a09f269b865e25a/34_1750991.JPG" /&#62;




&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/c913633211e249913290761095b208be888eb464d28a14d532676ebbd564bdb8/maps8-low-res.jpg" data-mid="126468740" border="0"  src="https://freight.cargo.site/w/1000/i/c913633211e249913290761095b208be888eb464d28a14d532676ebbd564bdb8/maps8-low-res.jpg" /&#62;
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&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/91ef8fc7f889de1e6367292ec75cfccecb65e4b6212bd9a21c5bf4f0db205e95/maps2-low-res.jpg" data-mid="126468743" border="0"  src="https://freight.cargo.site/w/1000/i/91ef8fc7f889de1e6367292ec75cfccecb65e4b6212bd9a21c5bf4f0db205e95/maps2-low-res.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/caa657c1dc0c3b138af2e335621fe1d1acdfa0af731eb612a9b410741f3cd8f0/maps3-low-res.jpg" data-mid="126468746" border="0"  src="https://freight.cargo.site/w/1000/i/caa657c1dc0c3b138af2e335621fe1d1acdfa0af731eb612a9b410741f3cd8f0/maps3-low-res.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/613683deb05b94e481ef4ab1e9e8ee85d4ff407da1b83cf552c1b0b1ecb6ba66/maps7-low-res.jpg" data-mid="126468747" border="0"  src="https://freight.cargo.site/w/1000/i/613683deb05b94e481ef4ab1e9e8ee85d4ff407da1b83cf552c1b0b1ecb6ba66/maps7-low-res.jpg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/f370e0ea7514b27c06a2b6d9bc127bf426be934e0b6d1f669126794491e06c34/maps5-low-res.jpg" data-mid="126468758" border="0"  src="https://freight.cargo.site/w/1000/i/f370e0ea7514b27c06a2b6d9bc127bf426be934e0b6d1f669126794491e06c34/maps5-low-res.jpg" /&#62;
&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ddf72c1815b9ddd90b573186bd5aad0f7f5f1d4415a811aa5798fb6a606c72aa/maps1.jpg" data-mid="126468748" border="0"  src="https://freight.cargo.site/w/1000/i/ddf72c1815b9ddd90b573186bd5aad0f7f5f1d4415a811aa5798fb6a606c72aa/maps1.jpg" /&#62;

	Maps (2020). Relief, chine colle, drawing. 40cm x 40cm.
</description>
		
	</item>
		
		
	<item>
		<title>Camp 2 </title>
				
		<link>https://makingmilpa.net/Camp-2</link>

		<pubDate>Sat, 04 Dec 2021 11:35:36 +0000</pubDate>

		<dc:creator>makingmilpa.net</dc:creator>

		<guid isPermaLink="true">https://makingmilpa.net/Camp-2</guid>

		<description>
	The Language of Water
	






	&#60;img width="1280" height="1706" width_o="1280" height_o="1706" data-src="https://freight.cargo.site/t/original/i/699e64c1175ca60d5686cd67df984ed9cabe39eec53f480eabc579e33b01dfe3/FINAL-POSTER-01-copia.jpg" data-mid="160085368" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/699e64c1175ca60d5686cd67df984ed9cabe39eec53f480eabc579e33b01dfe3/FINAL-POSTER-01-copia.jpg" /&#62;

Milpa-The Language of Water is an ongoing study group on the topic of water and listening practices. 

Surveying and gathering narratives related to water such as&#38;nbsp; water struggles, commodification of water, and building a sonic archive with field recordings from different water bodies. 


In May 2021, the cohort organized and designed an exhibition based on a series of participatory actions inside a wooden church from the 15th Century (before the first monoculture plantation) as a venue. It included a series of workshop/actions such as mapping unused space, enviromental listening, sound improvisation using the venue as instrument, performative lectures and prints&#38;nbsp; of our communication and process of collaboration together with a sound piece using the sonic archive of water bodies. 


The exhibition was hosted by the Centre for Social Development in Wroclaw and created in collaboration with Agnieszka Bandura (philosopher, educator), Pawel Drabarczyk (art theorist and educator), Iván Juárez (artist, architect, researcher), Urszula Lisowska (philosopher and educator), Sepa Sama (artist, architect, researcher, educator), Chiara Sgaramella (artist, researcher, educator), Thomas Tajo (artist, blind activist), Vassilis Theodorou (sound artist).  

	

&#60;img width="4011" height="3000" width_o="4011" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9dba3b99931ee536a01658d49650f08e2c6a9c12b7a0bfb450ed3c1e814c5953/bote.jpg" data-mid="126468776" border="0"  src="https://freight.cargo.site/w/1000/i/9dba3b99931ee536a01658d49650f08e2c6a9c12b7a0bfb450ed3c1e814c5953/bote.jpg" /&#62;
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&#60;img width="2000" height="1367" width_o="2000" height_o="1367" data-src="https://freight.cargo.site/t/original/i/da8cdafcf5b6882a73eb1cc6b3107561ecc6724f7ddf4effbd1ddafe66a3c45f/pescador.jpg" data-mid="126468762" border="0"  src="https://freight.cargo.site/w/1000/i/da8cdafcf5b6882a73eb1cc6b3107561ecc6724f7ddf4effbd1ddafe66a3c45f/pescador.jpg" /&#62;
&#60;img width="4608" height="3456" width_o="4608" height_o="3456" data-src="https://freight.cargo.site/t/original/i/fb51c5bb7507e3a71162c4290083d6e704d0698efb1df965d1ec2ab62c24ef8b/field.jpg" data-mid="126468775" border="0"  src="https://freight.cargo.site/w/1000/i/fb51c5bb7507e3a71162c4290083d6e704d0698efb1df965d1ec2ab62c24ef8b/field.jpg" /&#62;



	


	Centre for Social Development Szczytnicki ParkWrocław, Poland26-30.06.2021

	


	
&#60;img width="3550" height="4919" width_o="3550" height_o="4919" data-src="https://freight.cargo.site/t/original/i/0e00afe0a29f4ab65b96b29967c233f0947eede9fcc89234e5b31d0ecf6d32f5/Hatun-cusqui.jpg" data-mid="126468765" border="0"  src="https://freight.cargo.site/w/1000/i/0e00afe0a29f4ab65b96b29967c233f0947eede9fcc89234e5b31d0ecf6d32f5/Hatun-cusqui.jpg" /&#62;
&#60;img width="1840" height="1298" width_o="1840" height_o="1298" data-src="https://freight.cargo.site/t/original/i/13b735b42f6d80d119b96a1f096c28fc8aecf13608a0afa967d403c3058ff223/venue.jpg" data-mid="126468764" border="0"  src="https://freight.cargo.site/w/1000/i/13b735b42f6d80d119b96a1f096c28fc8aecf13608a0afa967d403c3058ff223/venue.jpg" /&#62;


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/65254a9310789cc76bbf20e9bd4b156fd99fb34e3bc1ecc014fb6aa27b996734/exhibition-lecture.jpg" data-mid="126468766" border="0"  src="https://freight.cargo.site/w/1000/i/65254a9310789cc76bbf20e9bd4b156fd99fb34e3bc1ecc014fb6aa27b996734/exhibition-lecture.jpg" /&#62;Lecture on saliva and art, “Co ślina na język...”, by Agnieszka Bandura and Pawel Drabarczyk.

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/202b5b08b890c907e2c993ee7dc003275006acd574114f173917fb5651abdd35/exhibition.jpg" data-mid="126468767" border="0"  src="https://freight.cargo.site/w/1000/i/202b5b08b890c907e2c993ee7dc003275006acd574114f173917fb5651abdd35/exhibition.jpg" /&#62;&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/37704c803576fb9ea5204fc6059c474d217ca4c16254d6df39f1fc5e39676361/mappingunused.jpg" data-mid="126468774" border="0"  src="https://freight.cargo.site/w/1000/i/37704c803576fb9ea5204fc6059c474d217ca4c16254d6df39f1fc5e39676361/mappingunused.jpg" /&#62;Participants of&#38;nbsp;Mapping unused spaces by Sepa Sama and Jumana Hamadani.

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d968e5f30f7b24a6eb80fea53ba1b8f2ac7bfe9f4b529d5f5522e886eaf3e382/IMPROV.jpg" data-mid="126468768" border="0"  src="https://freight.cargo.site/w/1000/i/d968e5f30f7b24a6eb80fea53ba1b8f2ac7bfe9f4b529d5f5522e886eaf3e382/IMPROV.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/00679f04856da28a028d5abb547ab4a8e30bb717f8a5591df9bd976166085a22/IMPROV-2.jpg" data-mid="126468778" border="0"  src="https://freight.cargo.site/w/1000/i/00679f04856da28a028d5abb547ab4a8e30bb717f8a5591df9bd976166085a22/IMPROV-2.jpg" /&#62;Sound improvisation Using the Church as a musical instrument by Diego Gutierrez Valladares and Vassilis Theodorou.

&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/26f9972e7394bf99be662ff9f98a717124e328cc7b0125de14a896ef7be8fc4a/picnic.jpg" data-mid="126468769" border="0"  src="https://freight.cargo.site/w/1000/i/26f9972e7394bf99be662ff9f98a717124e328cc7b0125de14a896ef7be8fc4a/picnic.jpg" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/194a679d0a4837a2d2cdb0466fcf8774ec25ff31c889b4e2fd3ea808ba9b2ae6/exhibition-tables.jpg" data-mid="126468770" border="0"  src="https://freight.cargo.site/w/1000/i/194a679d0a4837a2d2cdb0466fcf8774ec25ff31c889b4e2fd3ea808ba9b2ae6/exhibition-tables.jpg" /&#62;&#60;img width="1200" height="492" width_o="1200" height_o="492" data-src="https://freight.cargo.site/t/original/i/ab76fb912c618f7a836cf5d0e06dbd34b16856af85bef8f8739283a2cf24c1e3/table2.jpg" data-mid="126468773" border="0"  src="https://freight.cargo.site/w/1000/i/ab76fb912c618f7a836cf5d0e06dbd34b16856af85bef8f8739283a2cf24c1e3/table2.jpg" /&#62;Tables inside the exhibition space showing print documentation of interaction and process between the cohort in the design and program for the exhibition. &#38;nbsp;


Sound and Audio files
Waterless sound track by Vassilis Theodorou.Sound improvisation remixed by Vassilis Theodorou.
</description>
		
	</item>
		
		
	<item>
		<title>Camp 3</title>
				
		<link>https://makingmilpa.net/Camp-3</link>

		<pubDate>Sat, 04 Dec 2021 11:35:37 +0000</pubDate>

		<dc:creator>makingmilpa.net</dc:creator>

		<guid isPermaLink="true">https://makingmilpa.net/Camp-3</guid>

		<description>
	

The Kitchen


E. Geppert Academy of Art and DesignWrocław, Poland.10.07-10.10. 2021

	





&#60;img width="3300" height="2468" width_o="3300" height_o="2468" data-src="https://freight.cargo.site/t/original/i/72112b0e3c2c8d6202947d7808c48ea4f5da3b6e74515e8683f75171a7905e3a/KITCHEN.jpg" data-mid="126468779" border="0"  src="https://freight.cargo.site/w/1000/i/72112b0e3c2c8d6202947d7808c48ea4f5da3b6e74515e8683f75171a7905e3a/KITCHEN.jpg" /&#62;

&#60;img width="4928" height="3280" width_o="4928" height_o="3280" data-src="https://freight.cargo.site/t/original/i/861a1dd165a9ca763b6eb5a9e9af9a0f1574a8ebd792865bd145b606031281c9/ritual_-7.jpg" data-mid="126468855" border="0"  src="https://freight.cargo.site/w/1000/i/861a1dd165a9ca763b6eb5a9e9af9a0f1574a8ebd792865bd145b606031281c9/ritual_-7.jpg" /&#62;

How can a kitchen become a learning environment? How can we reimagine educational institutions from a kitchen space? The Kitchen is our third iteration taking place at the E. Geppert Academy of Art and Design in Wrocław. It is focused on collectively creating a learning environment from a kitchen space as space for embracement, sharing, reciprocity, exploring forms of collaborations with diverse communities and distribution of resources and forms of knowing.

We start by thinking how to open the academy by inviting/ sharing the Kitchen with different audiences who are invisible, absent or even excluded from the academy. What forms of collaborations and learning is possible?


	Question poster series
We initiate the discussion by inviting friends, students and faculty to send questions related to education, learning, institutions and knowledge production. The questions collected were printed as a series of posters and hanged inside the building of the academy of art. With contributions from: Lumin Press (Sadia Pineda &#38;amp; Beau W. Beakhouse), Mauricio Herrero, Urszula Lisowska, Chiara Sgaramella, Miriam Redondo and Pablo Ramírez González, Thomas Tajo, Gerardo Gomez Tonda, Ivan Juarez.
Posters can be downloaded in high resolution here.


&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/ea41fc59e889c59500fe268408ad9f9ae5c42074e75990154e08227447832b5d/exhibition-view-3.jpg" data-mid="126468784" border="0"  src="https://freight.cargo.site/w/1000/i/ea41fc59e889c59500fe268408ad9f9ae5c42074e75990154e08227447832b5d/exhibition-view-3.jpg" /&#62;
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Series of poster with questions related to education, learning, institutions, knowledge productions..



	
&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/358c849c5381db53e54e2fd2e04ad06fe749f141830cd701f054461ba798c375/posters.jpg" data-mid="126468831" border="0"  src="https://freight.cargo.site/w/1000/i/358c849c5381db53e54e2fd2e04ad06fe749f141830cd701f054461ba798c375/posters.jpg" /&#62;
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&#60;img width="3016" height="4032" width_o="3016" height_o="4032" data-src="https://freight.cargo.site/t/original/i/16c2fabd98c53379bf4c77993e1064df1bfbd46f51b7dedf3847f44d41c32ba1/IMG_20211006_194136.jpg" data-mid="126468861" border="0"  src="https://freight.cargo.site/w/1000/i/16c2fabd98c53379bf4c77993e1064df1bfbd46f51b7dedf3847f44d41c32ba1/IMG_20211006_194136.jpg" /&#62;
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&#38;nbsp; 

Storytelling &#38;amp; Creative Writing for Migrants (building an anti-monument of the city of Wrocław).
Facilitated by Volha Martynenka.&#38;nbsp;


	&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/39e578fedfdfe2434650b706501a9acad788ef82625d80780c429625d17ec718/Storytelling-11.jpg" data-mid="126468787" border="0"  src="https://freight.cargo.site/w/1000/i/39e578fedfdfe2434650b706501a9acad788ef82625d80780c429625d17ec718/Storytelling-11.jpg" /&#62;

As part of opening the academy and bringing different voices, communities and audiences to share the space, resources and forms of knowing, Milpa made an Open Call inviting migrants living in the city of Wroclaw.

The aim is to share the space, resources and collaborate together, also attempt to address the difficulties and issues related to long waiting periods for visa/stay permits in the city of Wrocław. 

In response to the open call, belarusian artist Volha Martynenka facilitated and co-organized with Milpa the Storytelling and Creative Writing Workshop for Migrants in the city of Wroclaw. I aims to create a safe house to share and gather stories of migration in the city, start an ongoing and collective process of building an anti-monument from unofficial narratives in the city.



	
&#60;img width="4789" height="3301" width_o="4789" height_o="3301" data-src="https://freight.cargo.site/t/original/i/4c42a80dfec41e13748a3653bcf691cb0f2f804bbc9cc91fa20762660e3c3915/Storytelling-18.jpg" data-mid="126468794" border="0"  src="https://freight.cargo.site/w/1000/i/4c42a80dfec41e13748a3653bcf691cb0f2f804bbc9cc91fa20762660e3c3915/Storytelling-18.jpg" /&#62;
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	&#60;img width="2817" height="2817" width_o="2817" height_o="2817" data-src="https://freight.cargo.site/t/original/i/1dc6d84052b11326badab11e96e941f8d44f302a695d4a132e9d8b2d4dc14d87/Storytelling-17.jpg" data-mid="126468807" border="0"  src="https://freight.cargo.site/w/1000/i/1dc6d84052b11326badab11e96e941f8d44f302a695d4a132e9d8b2d4dc14d87/Storytelling-17.jpg" /&#62;


	
&#60;img width="5026" height="3351" width_o="5026" height_o="3351" data-src="https://freight.cargo.site/t/original/i/0bd4377619a403c6c1dfd70e090210a5270d77a5aa18c46c6c74ba0d9f6fe991/Storytelling.jpg" data-mid="126468808" border="0"  src="https://freight.cargo.site/w/1000/i/0bd4377619a403c6c1dfd70e090210a5270d77a5aa18c46c6c74ba0d9f6fe991/Storytelling.jpg" /&#62;
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	Composting towards (more) collaborative practices with Gerardo Gomez Tonda.
22-24.09.2021



	
&#60;img width="5906" height="8268" width_o="5906" height_o="8268" data-src="https://freight.cargo.site/t/original/i/0cfb8b4e32e619ff72a094ff609cc32d476111c94d5ba731f15853b5486b5618/Poster-gerardo-II.jpg" data-mid="126468813" border="0"  src="https://freight.cargo.site/w/1000/i/0cfb8b4e32e619ff72a094ff609cc32d476111c94d5ba731f15853b5486b5618/Poster-gerardo-II.jpg" /&#62;
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&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/6bf250c461e6c8b431489ade4870de59cfd5ff9ef024250de525ca2e28d07097/composting_-7.jpg" data-mid="126468822" border="0"  src="https://freight.cargo.site/w/1000/i/6bf250c461e6c8b431489ade4870de59cfd5ff9ef024250de525ca2e28d07097/composting_-7.jpg" /&#62;
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	Lecture series from a Kitchen


	
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/aed1a6c8ac8a22b5b3ad3c8c6d180cb33e243d8d6e84af83aaed8b250f993ddc/POSTER-1.jpg" data-mid="126468829" border="0"  src="https://freight.cargo.site/w/1000/i/aed1a6c8ac8a22b5b3ad3c8c6d180cb33e243d8d6e84af83aaed8b250f993ddc/POSTER-1.jpg" /&#62;


#01 Listening to and tasting Otherness in Politics by Urszula Lisowska. 30.09.2021

&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/fdbef216fd46c9dc6327e651b9c2f28515afab61c9dc94e29baabb153de6fa60/urszula-lowres.jpg" data-mid="126468828" border="0"  src="https://freight.cargo.site/w/1000/i/fdbef216fd46c9dc6327e651b9c2f28515afab61c9dc94e29baabb153de6fa60/urszula-lowres.jpg" /&#62;



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&#60;img width="21594" height="14784" width_o="21594" height_o="14784" data-src="https://freight.cargo.site/t/original/i/17b72986d57a481abc592928e5e54f452211ff463038732146035beca555db4e/urszula002.jpg" data-mid="126468840" border="0"  src="https://freight.cargo.site/w/1000/i/17b72986d57a481abc592928e5e54f452211ff463038732146035beca555db4e/urszula002.jpg" /&#62;




	#02 Prehistoric foundations of global visual culture by Thomas Tajo.
30.09.2021

	Breathing + sound improvisations with Vassilis Theodorou.
07-08.10.2021

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	Art and Mycelium. Workshops with Yuri Selivanov and Valentina biolab. 26-30.11.2021.


	
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</description>
		
	</item>
		
		
	<item>
		<title>Camp 4</title>
				
		<link>https://makingmilpa.net/Camp-4</link>

		<pubDate>Tue, 22 Nov 2022 07:23:01 +0000</pubDate>

		<dc:creator>makingmilpa.net</dc:creator>

		<guid isPermaLink="true">https://makingmilpa.net/Camp-4</guid>

		<description>
	

The Living room. 
Group
residency

Centrum Kultury Zamek in Poznan15.05-10.10. 2022
Poznan, Poland.

&#60;img width="3508" height="4961" width_o="3508" height_o="4961" data-src="https://freight.cargo.site/t/original/i/1da386fa4e642e54c960c0e5285b92a07db43a21c5be952aa7e9a9ec0d200291/POSTER.jpg" data-mid="161710496" border="0"  src="https://freight.cargo.site/w/1000/i/1da386fa4e642e54c960c0e5285b92a07db43a21c5be952aa7e9a9ec0d200291/POSTER.jpg" /&#62;





	





Making milpa, the living room, at Centrum Kultury Zamek continued exploring a curriculum following the idea of the milpa as a metaphor and model; a learning environment based on forms of collaboration and artistic research. The process at Zamek Centrum Kultury in Poznan involved engaging with a group residency instead of an individual, as well as reflecting on the relations between host and guest. In this way, invitations were extended to many other collaborators with the purpose of exploring artistic collaborations and building together a space and program for the public. The project was realized together with Raul Hott, Roberto Nino Betancourt, Sadia Pineda and Beau W. Beakhouse, and Gerardo Gomez Tonda.As a result, a series of conversations and artistic collaborations took place between Diego Gutierrez Valladares and different collaborators. The program included workshops and a group show which presented the practical experimentations produced during the residency. 


The Language of Water. Collaboration with Roberto Nino Betancourt. Workshop on storytelling about water. 09.07.2022.


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Video on river Warta. Concept Roberto Nino Betancourt and Diego Gutierrez Valladares, sound by Vassilis Theodorou. 

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&#60;img width="4592" height="3061" width_o="4592" height_o="3061" data-src="https://freight.cargo.site/t/original/i/23493534d5e5a1e34c3d81ea277bc5dfb9530ade9ec1bae0130cca4b3a04e876/LABORATORIUM-27.jpg" data-mid="159816822" border="0"  src="https://freight.cargo.site/w/1000/i/23493534d5e5a1e34c3d81ea277bc5dfb9530ade9ec1bae0130cca4b3a04e876/LABORATORIUM-27.jpg" /&#62;





Collaboration with Gerardo Gomez Tonda 

&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/2d7d53cf5226768d59f7b1a990fa8f920588d31f7946c18b14741f354046d977/IMG-20220619-WA0049.jpg" data-mid="159813759" border="0"  src="https://freight.cargo.site/w/1000/i/2d7d53cf5226768d59f7b1a990fa8f920588d31f7946c18b14741f354046d977/IMG-20220619-WA0049.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/7a11a661549dedc2a2653f0a6135da4f7b1b2aa1e92454b79c6ac2311ae26854/20220615_134356.jpg" data-mid="159813781" border="0"  src="https://freight.cargo.site/w/1000/i/7a11a661549dedc2a2653f0a6135da4f7b1b2aa1e92454b79c6ac2311ae26854/20220615_134356.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/47c9129612bb8add0a4a84f95039c74319142f0e4527272e13791407c93b1a9b/20220615_114035.jpg" data-mid="159814106" border="0"  src="https://freight.cargo.site/w/1000/i/47c9129612bb8add0a4a84f95039c74319142f0e4527272e13791407c93b1a9b/20220615_114035.jpg" /&#62;&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/6740f8b76478bb11757accc6d8c84277dfbf251db5334ae2a3179badaa681ab3/compa.jpg" data-mid="159814121" border="0"  src="https://freight.cargo.site/w/1000/i/6740f8b76478bb11757accc6d8c84277dfbf251db5334ae2a3179badaa681ab3/compa.jpg" /&#62;&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/decfecef4e06d2b239c9e3c0a43351d0109f366083cf6349d5d0a09ba5e3b43d/WOODWORK-COLOR.jpg" data-mid="159830214" border="0"  src="https://freight.cargo.site/w/1000/i/decfecef4e06d2b239c9e3c0a43351d0109f366083cf6349d5d0a09ba5e3b43d/WOODWORK-COLOR.jpg" /&#62;&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d1d666ebab4e5c38a0480d5cdfb4bc9aaab3ef42ca1d173a5f3a1a16be730ac4/IMG-20220619-WA0033.jpg" data-mid="159814133" border="0"  src="https://freight.cargo.site/w/1000/i/d1d666ebab4e5c38a0480d5cdfb4bc9aaab3ef42ca1d173a5f3a1a16be730ac4/IMG-20220619-WA0033.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/48b7d125954eaabc175697266607e66deb3ad5bc8356a75b2d7f55b0a921ebd0/20220616_133855.jpg" data-mid="159814153" border="0"  src="https://freight.cargo.site/w/1000/i/48b7d125954eaabc175697266607e66deb3ad5bc8356a75b2d7f55b0a921ebd0/20220616_133855.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/405f32e3bc24b3ade4ac5d94fbcb42459b52aa623969bda2e37e1539531bc374/WOODWORK-COLOR-5.jpg" data-mid="159815037" border="0"  src="https://freight.cargo.site/w/1000/i/405f32e3bc24b3ade4ac5d94fbcb42459b52aa623969bda2e37e1539531bc374/WOODWORK-COLOR-5.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/d6935e9bd41614c0dfb068d8c6d9eff710a8e0c1f3be0dc26bbdab0a25245ecd/WOODWORK-COLOR-6.jpg" data-mid="159815038" border="0"  src="https://freight.cargo.site/w/1000/i/d6935e9bd41614c0dfb068d8c6d9eff710a8e0c1f3be0dc26bbdab0a25245ecd/WOODWORK-COLOR-6.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/1eec929c31dc8671460fd9627efb2f3d9300a6d250005542c3c5e5be54cd57e5/WOODWORK-COLOR-4.jpg" data-mid="159815036" border="0"  src="https://freight.cargo.site/w/1000/i/1eec929c31dc8671460fd9627efb2f3d9300a6d250005542c3c5e5be54cd57e5/WOODWORK-COLOR-4.jpg" /&#62;

	
Collaboration with Raul Hott and Andres Zanetta.


	&#60;img width="4874" height="3249" width_o="4874" height_o="3249" data-src="https://freight.cargo.site/t/original/i/a482e712b03b40654628ac10978f1399e3ef5e502e840eb3d9ae87ee6b799ed3/LABORATORIUM-12.jpg" data-mid="159816151" border="0"  src="https://freight.cargo.site/w/1000/i/a482e712b03b40654628ac10978f1399e3ef5e502e840eb3d9ae87ee6b799ed3/LABORATORIUM-12.jpg" /&#62;&#60;img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/6dcfcfd0b84a7d2a5d848f234cd32a09224d3d8198ebcdc4c38562b4a19d0a5e/LABORATORIUM-16.jpg" data-mid="159816379" border="0"  src="https://freight.cargo.site/w/1000/i/6dcfcfd0b84a7d2a5d848f234cd32a09224d3d8198ebcdc4c38562b4a19d0a5e/LABORATORIUM-16.jpg" /&#62;



Collaboration with Sadia Pineda Hameed and Beau W. Beakhouse


&#60;img width="1538" height="2048" width_o="1538" height_o="2048" data-src="https://freight.cargo.site/t/original/i/967f090c137753508f84c41dec7cd61c3914d3dc6c73ea0753e1f8743dbb24df/IMG-20220816-WA0019.jpg" data-mid="159815380" border="0"  src="https://freight.cargo.site/w/1000/i/967f090c137753508f84c41dec7cd61c3914d3dc6c73ea0753e1f8743dbb24df/IMG-20220816-WA0019.jpg" /&#62;&#60;img width="4963" height="3254" width_o="4963" height_o="3254" data-src="https://freight.cargo.site/t/original/i/e6787f09788b74b3dc816adc8710ce1bb56b0a2759b13d961e4943c0efa1a16f/LABORATORIUM-17.jpg" data-mid="159817333" border="0"  src="https://freight.cargo.site/w/1000/i/e6787f09788b74b3dc816adc8710ce1bb56b0a2759b13d961e4943c0efa1a16f/LABORATORIUM-17.jpg" /&#62;&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/86cc4f509b68026246305b609fadfd24b0e544bb04deb09f7942163487422bbb/LABORATORIUM-14.jpg" data-mid="159817661" border="0"  src="https://freight.cargo.site/w/1000/i/86cc4f509b68026246305b609fadfd24b0e544bb04deb09f7942163487422bbb/LABORATORIUM-14.jpg" /&#62;&#60;img width="3148" height="4725" width_o="3148" height_o="4725" data-src="https://freight.cargo.site/t/original/i/4190e9338ba436b327aba77e8e5fd09ebaaa858235709cacb34e84cb973ee447/LABORATORIUM-8.jpg" data-mid="159963551" border="0"  src="https://freight.cargo.site/w/1000/i/4190e9338ba436b327aba77e8e5fd09ebaaa858235709cacb34e84cb973ee447/LABORATORIUM-8.jpg" /&#62;&#60;img width="3343" height="5014" width_o="3343" height_o="5014" data-src="https://freight.cargo.site/t/original/i/a6c67f82c08c602e3d905690c097d17cda61c6c0640cd9eba98c326230edfb41/LABORATORIUM-9.jpg" data-mid="159963552" border="0"  src="https://freight.cargo.site/w/1000/i/a6c67f82c08c602e3d905690c097d17cda61c6c0640cd9eba98c326230edfb41/LABORATORIUM-9.jpg" /&#62;&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/3e615bd160a6c62704e3e37768cd430983c34f3c4214c7ecbeb874f52428a0e5/LABORATORIUM-10.jpg" data-mid="159963553" border="0"  src="https://freight.cargo.site/w/1000/i/3e615bd160a6c62704e3e37768cd430983c34f3c4214c7ecbeb874f52428a0e5/LABORATORIUM-10.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Camp 5</title>
				
		<link>https://makingmilpa.net/Camp-5</link>

		<pubDate>Mon, 06 Jan 2025 21:48:53 +0000</pubDate>

		<dc:creator>makingmilpa.net</dc:creator>

		<guid isPermaLink="true">https://makingmilpa.net/Camp-5</guid>

		<description>Children-led Press
	
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Knowledge market. Action-workshop and zine publication, inspired on Pasar Ilmu by Indonesian art collective ruangrupa, involves appropiating of space for exchanging knowledge and decompartmentalizing learning. Everyone is a teacher and learning experiences can potentially happen anywhere, at any given time, and with a diversity of people.


	
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Children’s rites and the right to the city of Wroclaw, Poland.




	
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Children’s rites and the right to the Museum of Contemporary Art in Wroclaw (MWW).

	
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Children’s rites and the right to the School’s &#38;nbsp;playground.&#38;nbsp;

Storage of questions.

 Audio recordings collecting questions from the children. sound composition in collaboration with Vassilis Theodorou.




	Lessons from the studio:
-Children are like water: simple, clear and playful.
-The print studio space is not fixed; it is like a river, it is in constant flux and adapts as situations arise.
-The print studio is a co-owned space where each and every user shares the responsibility of owning it. The space asks that those who use it maintain its condition so other users can feelat home too. The space is in a state of flux, like the waves in a riverbed. It is transparent, elastic, and moves at its own pace.
-Looking after the studio space is both voluntary and obligatory task.
-The print studio is a safe space where everyone is free to keep to their own speed, rhythm and pace.
-It uses the least materials, reuses, and recycles whenever possible, and assigns use and purpose to each object within the space.
-Anything can be mobile, especially furniture, which should be lightweight and easy to move around.
-Users are encouraged to utilize, design, and facilitate the space according to their own learning interests and needs. -The image of a rice plant that, instead of continuously growingvertically, eventually bends downward, sowing its seeds back to the ground, is a metaphor used in Indonesian culture to express regeneration and intergenerational exchange. It underscores the responsibility of older generations to support, share knowledge with, and learn from younger peers.




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